{"id":983,"date":"2019-03-06T10:21:26","date_gmt":"2019-03-06T10:21:26","guid":{"rendered":"https:\/\/www.spp2130.de\/?page_id=983"},"modified":"2022-04-07T16:21:53","modified_gmt":"2022-04-07T14:21:53","slug":"art-and-crisis","status":"publish","type":"page","link":"https:\/\/www.spp2130.de\/index.php\/en\/art-and-crisis\/","title":{"rendered":"Art and Crisis"},"content":{"rendered":"<h4>Art and Crisis<\/h4>\n<p>&nbsp;<\/p>\n<h5>Transnational and Interconfessional Translation Processes in the Visual Arts and Architecture in Great Britain, 1625\u20131727<\/h5>\n<p>&nbsp;<\/p>\n<figure style=\"float: left; padding-right: 10px;\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1487 size-medium\" src=\"https:\/\/www.spp2130.de\/wp-content\/uploads\/2019\/04\/Hubert-Le-Sueur_Charles-I-200x300.jpg\" alt=\"Statue of Charles I. by the French sculptor Hubert Le Sueur.\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.spp2130.de\/wp-content\/uploads\/2019\/04\/Hubert-Le-Sueur_Charles-I-200x300.jpg 200w, https:\/\/www.spp2130.de\/wp-content\/uploads\/2019\/04\/Hubert-Le-Sueur_Charles-I.jpg 314w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><figcaption style=\"font-size: 8pt;\"><span style=\"font-size: 10pt;\">Charles I. by the French sculptor<br \/>\nHubert Le Sueur, 1633.<br \/>\n<\/span><\/figcaption><\/figure>\n<p>In the debates over \u2018Brexit\u2019, British intellectuals repeatedly emphasise the interconnectedness of Great Britain and continental Europe. The situation in the seventeenth and early eighteenth centuries confirms this by example: in no way can one talk about the \u2018splendid isolation\u2019 of the British Isles. This is especially true for the areas of the visual arts and architecture, which in this era were characterised by a high level of exchange with continental Europe. The period under investigation (1625\u20131727) encompasses a moment in British history that saw a rapid succession of political turning points and confessional conflicts. The aim of the project is to analyse transnational and interconfessional translation processes in the visual arts and architecture along these critical turning points.<\/p>\n<p>&nbsp;<\/p>\n<p>The project is located at the University Erlangen-Nuremberg and is divided into two subprojects: <a href=\"https:\/\/www.spp2130.de\/index.php\/en\/research-assistants\/#maier\">Lukas Maier, M. A.<\/a> focuses on the reign of Charles I and the subsequent phase of the Civil War and Interregnum (1625\u20131660), while <a href=\"https:\/\/www.spp2130.de\/index.php\/en\/project-directors\/#strunck\" rel=\"noopener noreferrer\">Prof Dr Christina Strunck<\/a> concentrates on the period 1660\u20131727, which was marked by the Exclusion Crisis, the Glorious Revolution and the change of dynasty between Stuart\/House of Hanover. It will be shown to what extent works of art and architecture not only addressed transnational and interconfessional conflicts, but also sought to resolve these issues through artistic translation and mediation.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.kunstgeschichte.phil.fau.de\/forschung\/forschungsprojekte\/kunst-und-krise-art-and-crisis\/\" target=\"_blank\" rel=\"noopener noreferrer\">Project website<\/a> at the University of Erlangen-Nuremberg.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h5><strong>Publications (project-related):<\/strong><\/h5>\n<ul>\n<li><a href=\"https:\/\/www.spp2130.de\/index.php\/en\/publications\/#strunck\">Prof Dr Christina Strunck<\/a><\/li>\n<li><a href=\"https:\/\/www.spp2130.de\/index.php\/en\/publications\/#maier\">Lukas Maier<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Art and Crisis &nbsp; Transnational and Interconfessional Translation Processes in the Visual Arts and Architecture in Great Britain, 1625\u20131727 &nbsp; Charles I. by the French sculptor Hubert Le Sueur, 1633. In the debates over \u2018Brexit\u2019, British intellectuals repeatedly emphasise the interconnectedness of Great Britain and continental Europe. The situation in the seventeenth and early eighteenth centuries confirms this by example: in no way can one talk about the \u2018splendid isolation\u2019 of the British Isles. This is especially true for the areas of the visual arts and architecture, which in this era were characterised by a high level of exchange with &hellip;<\/p>\n","protected":false},"author":8,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Art and Crisis - \u00dcbersetzungskulturen der Fr\u00fchen Neuzeit<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.spp2130.de\/index.php\/en\/art-and-crisis\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Art and Crisis - \u00dcbersetzungskulturen der Fr\u00fchen Neuzeit\" \/>\n<meta property=\"og:description\" content=\"Art and Crisis &nbsp; Transnational and Interconfessional Translation Processes in the Visual Arts and Architecture in Great Britain, 1625\u20131727 &nbsp; Charles I. by the French sculptor Hubert Le Sueur, 1633. In the debates over \u2018Brexit\u2019, British intellectuals repeatedly emphasise the interconnectedness of Great Britain and continental Europe. The situation in the seventeenth and early eighteenth centuries confirms this by example: in no way can one talk about the \u2018splendid isolation\u2019 of the British Isles. This is especially true for the areas of the visual arts and architecture, which in this era were characterised by a high level of exchange with &hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.spp2130.de\/index.php\/en\/art-and-crisis\/\" \/>\n<meta property=\"og:site_name\" content=\"\u00dcbersetzungskulturen der Fr\u00fchen Neuzeit\" \/>\n<meta property=\"article:modified_time\" content=\"2022-04-07T14:21:53+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.spp2130.de\/wp-content\/uploads\/2019\/04\/Hubert-Le-Sueur_Charles-I-200x300.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Gesch\u00e4tzte Lesezeit\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 Minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.spp2130.de\/index.php\/en\/art-and-crisis\/\",\"url\":\"https:\/\/www.spp2130.de\/index.php\/en\/art-and-crisis\/\",\"name\":\"Art and Crisis - \u00dcbersetzungskulturen der Fr\u00fchen Neuzeit\",\"isPartOf\":{\"@id\":\"https:\/\/www.spp2130.de\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.spp2130.de\/index.php\/en\/art-and-crisis\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.spp2130.de\/index.php\/en\/art-and-crisis\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.spp2130.de\/wp-content\/uploads\/2019\/04\/Hubert-Le-Sueur_Charles-I-200x300.jpg\",\"datePublished\":\"2019-03-06T10:21:26+00:00\",\"dateModified\":\"2022-04-07T14:21:53+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.spp2130.de\/index.php\/en\/art-and-crisis\/#breadcrumb\"},\"inLanguage\":\"de-DE\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.spp2130.de\/index.php\/en\/art-and-crisis\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"de-DE\",\"@id\":\"https:\/\/www.spp2130.de\/index.php\/en\/art-and-crisis\/#primaryimage\",\"url\":\"https:\/\/www.spp2130.de\/wp-content\/uploads\/2019\/04\/Hubert-Le-Sueur_Charles-I.jpg\",\"contentUrl\":\"https:\/\/www.spp2130.de\/wp-content\/uploads\/2019\/04\/Hubert-Le-Sueur_Charles-I.jpg\",\"width\":314,\"height\":472,\"caption\":\"Horseman statue of Charles I by the French sculptor Hubert Le Sueur, 1633.\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.spp2130.de\/index.php\/en\/art-and-crisis\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Startseite\",\"item\":\"https:\/\/www.spp2130.de\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Art and Crisis\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.spp2130.de\/#website\",\"url\":\"https:\/\/www.spp2130.de\/\",\"name\":\"\u00dcbersetzungskulturen der Fr\u00fchen Neuzeit\",\"description\":\"DFG - SPP 2130\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.spp2130.de\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"de-DE\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Art and Crisis - \u00dcbersetzungskulturen der Fr\u00fchen Neuzeit","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.spp2130.de\/index.php\/en\/art-and-crisis\/","og_locale":"de_DE","og_type":"article","og_title":"Art and Crisis - \u00dcbersetzungskulturen der Fr\u00fchen Neuzeit","og_description":"Art and Crisis &nbsp; Transnational and Interconfessional Translation Processes in the Visual Arts and Architecture in Great Britain, 1625\u20131727 &nbsp; Charles I. by the French sculptor Hubert Le Sueur, 1633. In the debates over \u2018Brexit\u2019, British intellectuals repeatedly emphasise the interconnectedness of Great Britain and continental Europe. The situation in the seventeenth and early eighteenth centuries confirms this by example: in no way can one talk about the \u2018splendid isolation\u2019 of the British Isles. 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